our Roger Ebert
John: I grew up in Chicago where this guy started out with Gene Siskel on the local PBS station. Forty years later I was still watching different incarnations of the Ebert formula. In fact I had suggested to a friend that we do the same thing on the web. I said I would even write both parts if he wanted. When that didn’t fly, I did it with my dog instead—SpankyandJohnGoToTheMovies.com.
Sparky: I don’t blame the guy; you even got my name wrong. It’s Sparky, John, Sparky not Spanky!
John: Well I always liked those “Spanky and Our Gang” early shorts. But one way or another we’ve had almost 16,000 viewers from all parts of the globe (Norway, Taiwan, etc). And now we do old movies as well as new releases since many people watch Netflix or other movie options.
Sparky: So getting back to Ebert (if that really was his name), why do you think he was the best known movie critic?
John: People loved the discussion. It wasn’t just Pauline Kael telling us what to think, but two people discussing something they were participants in. It reminded me of college, arguing over Plato and the Existentialists. We felt we were a part of the dialogue—no, the best part of the dialogue. And Siskel and Ebert or Ebert and Roper demonstrated how that could be.
Sparky: So how is that different from today?
John: Now we are consumers, manipulated by the film industry. There’s big money at stake so they aren’t taking any chances. But with Ebert we were…artists, searching for meaning. Finding the memorable. Some people, like Hitchcock and Bergman, had enough confidence in their audiences to let them be players. Now, I don’t know. Roger Ebert’s time, our time, is over. Still it’s hard not to love a man who emblemized something so special.
Spanky: And we do that by keeping his spirit alive in our blog.
John: Four “Barks” out of four, my friend. Four “Barks” out of four.